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Pink Floyd Guitar Lesson | How one can Play Like David Gilmour

How to Play Guitar like David Gilmour

In the case of unimaginable guitar gamers, David Gilmour of Pink Floyd takes the cake. On this article, instructor Bernard M. exhibits you the best way to play the guitar similar to the legend himself…


David Gilmour is likely one of the most iconic guitarists in historical past. His enjoying has impressed numerous guitarists through the years, and his solos are a number of the most memorable in rock music. 

On this weblog put up, we’re going to check out the best way to play the “Time” solo from David Gilmour’s dwell efficiency at Pompeii. We’ll additionally present tablature and audio so that you can comply with together with. Take pleasure in!

How Did David Gilmour Get So Good At Guitar?

Close up of the bottom of a gold electric guitar
Blaise Hayward / DigitalVision / Getty Photographs


David Gilmour is likely one of the most completed guitarists of his technology. A member of Pink Floyd, he’s recognized for his creative solos and distinctive enjoying fashion. So how did he turn into so good at guitar?

  • Gilmour started enjoying when he was simply 14 years outdated. 
  • He was initially self-taught, however later took classes from famend jazz guitarist Vic Flick.
  • Gilmour cites Flick as a serious affect on his enjoying. 
  • Along with taking classes, Gilmour additionally spent numerous hours training. He as soon as stated, “I performed for hours and hours and hours, day after day, yr after yr.” 

This dedication to his craft paid off, and Gilmour’s laborious work has made him some of the revered guitarists on this planet.

So how are you going to get nearly as good at guitar as David Gilmour is? Taking guitar classes is your finest wager. You can even be taught by watching movies like these:


What Type of Guitar Does David Gilmour Play?

Close up of a red Fender Stratocaster
Picture by Sallycinnamon / Second Open / Getty Photographs

Whereas finest generally known as the guitarist for Pink Floyd, David Gilmour is a extremely revered musician in his personal proper. 

Over the course of his profession, he has performed a large number of guitars, however he’s mostly related to the Fender Stratocaster. Gilmour first purchased a Stratocaster in 1970, and it rapidly grew to become his primary instrument. 

He continued to make use of Stratocasters all through his time with Pink Floyd, and they are often heard on a number of the band’s most iconic recordings, together with “Darkish Aspect of the Moon” and “The Wall.” 

Lately, Gilmour has expanded his repertoire to incorporate different guitars, however the Stratocaster stays his go-to instrument. As he as soon as stated, “It’s like an outdated good friend. I do know its ins and outs, and it is aware of mine.”

How one can Play Guitar Like David Gilmour

Picture of an orange electric guitar
Yevgen Romanenko / Second / Getty Photographs

Many musicians attempt to sound like their heroes. They wish to get that particular one thing that makes these legends stand out from the gang.

The most effective methods you possibly can do that is to be taught their elements — beat for beat, word for word. Whereas this may be troublesome and time consuming, it’s some of the rewarding studying methods for musicians of all ranges.

Considered one of my favourite guitar gamers is David Gilmour from the band Pink Floyd. He brings a sure sense of style and melody to the whole lot he performs.

In an effort to unlock the secrets and techniques of Gilmour’s enjoying fashion, we’ll be trying on the guitar solo from the music “Time.” This well-known solo is a good instance of how Gilmour tells a narrative along with his guitar.

Earlier than we dive in….

This Pink Floyd guitar lesson accommodates an in depth breakdown of the solo, 4 bars at a time, with tabs for every part and an evaluation of what Gilmour is doing and why it’s so efficient. Beneath is a recording of the music so you possibly can comply with alongside.



Above every line of tabs is a time marker, telling when within the music every part happens. I additionally included the chords behind the solo above every bar. This may turn into necessary in our evaluation when Gilmour’s word selection.

The minor pentatonic scales discover heavy use on this solo, particularly within the first and second positions (proven under).


Pentatonic Scale Charts


Because the music is in the important thing of F#m, the primary place will start on the 2nd fret and the second place on the fifth fret, every repeating an octave above on the 14th and seventeenth frets respectively.

On the finish, I’ll provide you with my 5 tips about the best way to play a guitar solo like David Gilmour, highlighting the important thing factors talked about in our evaluation of the solo.

Okay, prepared? Let’s do that!



Section 1 Tabs


The enduring sustained notes and bends within the first three bars exhibit Gilmour’s melodic sensibilities. Clearly, he’s in no rush and is leaving himself room to stretch out his chops later within the solo. This gradual introduction makes use of the primary place minor pentatonic scale, simply tracing the chords on the low finish of the fret board. Within the fourth bar, Gilmour slides into the second place of the dimensions for a extra aggressive Albert King fashion blues lick, hinting at what’s to come back later. For some further kick, strive giving the fifth fret e-string word a quarter-step bend!


Section 2 Tabs

Second Spherical

On his second go across the chord development, Gilmour makes use of repetition and variation, echoing the start of his solo earlier than transferring into new territory. This creates a name and response impact between the repeated melody and the various blues licks.

Within the second bar, he responds with the bluesy main sixth interval (ninth fret G-string to ninth fret e-string) to emphasise the notes that make up the A chord.

You will have seen that Gilmour frets or bends to some notes exterior of our pentatonic scale. These notes from the minor scale are peppered in to add a sweeter taste to the melodies.

Discover how half-step bends are used to maneuver lyrically between these minor scale notes. Gilmour ends this part with an extended sustained bend to an F#, creating a way decision, for now…


Section 3 Tabs


If the primary two sections acted as an introduction, these subsequent two are most definitely the climax. Gilmour slides into an F#m arpeggio within the first place pentatonic scale an octave above the place the solo started.

To successfully execute this lick, use your second finger on the sixteenth fret, your first finger on 14th (fretting the G-string with the fingertip then pivoting to the B-string simply above your knuckle) and your third finger to bend the B-string on the seventeenth fret, leaving your pinky free to hit the e-string.

The second bar incorporates a step-and-a-half bend between two full-step bends. This traditional blues method requires robust fingers and good pitch recognition, however is properly well worth the apply it takes to grasp.

Lastly, Gilmour carries us over the bar into the subsequent part with a robust lick descending in the direction of the basis word, hitting on beats three, 4, and the one of many subsequent bar. It is a very highly effective phrasing transfer, utilizing the melody to weave totally different bars collectively.


Section 4 Tabs

Patterns in Enjoying – and the Closure

We land on an F#, as soon as once more emphasizing the basis of our first chord. That is adopted by a pre-bend launch, including some character earlier than descending right into a pull-off run. Because the A chord comes round, we bend up on the sixteenth fret to hit a well-recognized C#.

Discover a sample? Gilmour’s cautious word selection and use of repetition and variation retains issues acquainted however recent.

The subsequent lick carries us over the bar with the solo’s highest word, an thrilling bend on the e-string at nineteenth fret. This phrase is paying homage to the bend on the seventeenth fret on the finish of the final part (once more, repetition and variation at work).

To create a way of closure because the solo nears a change within the chord development and total tone, Gilmour runs down an E main arpeggio, resolving over the bar to, you guessed it, an F# root.

The ultimate slide down the neck alerts the drastic change that’s about to happen…


Section 5 Tabs


This part marks a dramatic shift from a minor to main temper, bringing the solo to its conclusion. Gilmour begins with a dreamy triplet run over a Dmaj7 arpeggio, utilizing slides to create a floating, liquid really feel that completely fits the brand new temper.

Discover the half-step interval from the ninth to tenth fret, marking the transient return of the candy lyrical tone discovered within the second part.

Some Ultimate Ideas

Gilmour leaves a number of area between his flowing slides, giving every carefully-chosen word time to precise its specific character over its chordal backdrop.

My private favourite is the G# word on the ninth fret of the B-string at first of the third bar. Over the Dmaj7 chord, it expresses the heavenly lydian mode sound of the #4 chord tone. (Music principle apart, the take away is that this: select your notes based mostly on what sounds finest over the passing chords!)


Section 6 Tabs


Within the last 4 bars, Gilmour brings the solo to an in depth with two distinct phrases. The primary, which begins with the unison bend within the earlier bar, calls again to the 4th fret bends on the very starting of the solo (and the sixteenth fret bends an octave above in the course of the climax) for some last repetition and variation.

Right here, he makes use of a step-and-a-half bend between full-step bends, a pre-bend launch, and an extended sustained bend to get essentially the most out of this expressive phrase.

Gilmour ends by enjoying round an E main arpeggio, bringing a last sense of closure and backbone with the sustained E word on the 2nd fret and the open low E-string an octave under.

How Did David Gilmour Apply Guitar? 

Picture of an orange brown acoustic guitar
Rouzes / E+ / Getty Photographs

What did we be taught? My 5 ideas for enjoying like David Gilmour! Okay, so we simply lined A LOT of floor. Let’s take what we discovered from analyzing the solo and summarize it into some key factors.


1. Inform a narrative:

Your solo ought to have a transparent starting, center, and finish. In your introduction, make a gap assertion that units the tone, however nonetheless leaves you with someplace to go. If you attain the climax, pull out all of the stops and let unfastened these licks you have been saving. Whether or not it’s one word or eight bars, be sure your conclusion leaves your listener with a sense of closure.

2. Bend like a grasp:

Bear in mind, your good ol’ long-established full step bend isn’t the one strategy to go. Strive your hand at half-step bends, pre-bend releases, and even step-and-a-half bends. These are nice methods of getting the extra expression out of your enjoying (simply be sure the notes you’re bending to are in your scale).

3. Repetition is your good friend:

Soloing is not only enjoying a string of notes from a scale (belief me; I’ve made that mistake loads of instances). Repetition and variation permits you to arrange acquainted themes, remodel these themes, play into or defy the listener’s expectations, and make patterns reminiscent of name and response.

4. Select notes properly:

Use the chords! They’re your tips, telling you what notes you must play. Whereas this may be daunting at instances, take your time and belief your ears, as they’ll typically lead you to the appropriate notes. If yow will discover the basis notes to chords, or higher but, the total arpeggios, you might be heading in the right direction to enjoying with the chord adjustments. (Need extra on this? Lookup chord scales!)

5. Be intelligent with rhythm:

Once more, soloing is not only enjoying a string of notes. Selecting how you employ rhythm could make or break a solo. Depart your self loads of area with lengthy sustained notes and bends. This may present distinction for quick and busy licks, making them more practical. For even higher impact, strive enjoying over the bar, or utilizing triplets. For extra, try my article on utilizing area and phrasing throughout solos.

Play Guitar Like David Gilmour – Be Affected person and You’ll Do Superb Issues!

Picture of a black electric guitar
Andrew_Howe / E+ / Getty Photographs

David Gilmour is likely one of the most iconic guitarists in historical past. His fashion has been imitated by many, however by no means duplicated. On this video, we checked out the best way to play “Time” like David Gilmour. 

We used tabs and audio that can assist you comply with together with the lesson. If you wish to be taught extra about Gilmour’s methods and enjoying fashion, be sure you try a few of his different movies on our channel. We even have a variety of articles that debate totally different elements of his enjoying fashion. 

I hope you’ve loved our journey via the fashion of David Gilmour and his solo from “Time.” I hope you employ these concepts to assist boost your enjoying, and this technique of study that can assist you unlock the secrets and techniques of your favourite gamers.

The easiest way, after all, to be taught the best way to play guitar like David Gilmour (and to unlock your personal distinctive fashion of enjoying) is to take guitar classes. Join classes right here and don’t be afraid to experiment!

Are there any nice guitar solos you’d prefer to be taught? Share your requests within the feedback under!


Bernard M TakeLessons.com Teacher Publish Creator: Bernard M.
Bernard M. is a guitar and songwriting teacher in Philadelphia, PA. He graduated from The School of New Jersey with a bachelors diploma in English. He teaches classes on-line and can journey to his college students. Study extra about Bernard right here!


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Megan L.
Megan L. is a author and musician residing in San Diego. She loves supporting unbiased artists and studying extra about music daily. Megan has been working for TakeLessons since November 2011. Google+

Megan L.

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