Billlie appear to be a gaggle on the rise, maybe not when it comes to being basic public darlings (except for Tsuki’s virality), however a minimum of with a rising fandom that ought to set them up effectively for larger and higher. Whereas they don’t actually have a singular id or sound but, the variability they supply with their comebacks is one thing to sit up for in itself, and returning with what they did on “Ring Ma Bell” actually qualifies as a pleasing shock.
Rely me amongst these taken off-guard by the selection of this punk-rockish sound out of seemingly nowhere, however evidently this sort of pop fusion achieved by idols falls into my wheelhouse. The inspiration is remarkably easy for essentially the most half, counting on an electrical rhythm guitar and uncomplicated drum hits because the group’s vocals retains issues rolling ahead. It really works for essentially the most half as a result of the listener can really feel one thing effervescent underneath, and the construct of the pre-chorus confirms this. The refrain is takes issues up a notch, however the “ring ma bell” hook achieved in two choral shouting sections from Billlie is what stars and it’s onerous to not see this being a fan favourite reside at a live performance, for instance. Thankfully, issues don’t simply finish there and there’s one other part that follows with the chorus that closes it out taking part in like a high quality pop refrain in itself.
That mentioned, there are some issues that stop it from reaching the heights it might. In a uncommon twist, a Ok-pop track doesn’t go as loud and noisy as I might’ve favored, with the band virtually pushed too far into the background of the combination, sapping “Ring Ma Bell” of among the very aggressiveness and punk elements they wished to seize. Through the verses it’s not such an enormous deal as issues construct from there, however this particularly stands out within the preliminary choruses, which come off manner too clear.
So to some extent, through the second refrain I used to be truthfully pondering issues have been bogging down a bit. Thankfully, what finally ends up largely redeeming “Ring Ma Bell” is the stellar end. All the problems I highlighted within the earlier paragraph have been erased by the extra maniac and aggressive closing run, together with guitar riffs galore and amping the whole lot up additional. Even the bridge put within the center offered a pleasant reprieve whereas nonetheless protecting issues aggressive over abrupt strums earlier than it dumps the listener proper again into the enjoyable. I might’ve put these elements within the earlier choruses and highlighted a guitar solo of some type, nevertheless it’s an idol group not a band, so I get the selection. Both manner, Haram’s vocal specifically stood out, injecting a vital depth to it at instances that the blending robbed from it and ending with a exhibiting that made me need to hear extra from her on this mode.
So whereas not excellent, “Ring Ma Bell” gives one other high quality addition to Billlie’s discography, and time will inform whether or not it ages to be extra good or nice. And when it comes to promoting the idea and sound, Billlie actually accomplish that of their music video, which helps create a pleasant cohesive bundle that works collectively effectively. It’s additionally simply promising that Mystic Story do appear devoted to offering common comebacks for Billlie, because it bodes effectively for them to discover additional sooner or later. The truth that I don’t know what that subsequent comeback will sound like makes it one thing to sit up for.