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Thursday, November 30, 2023

Tiny Desk Live performance : NPR


From Sept. 15 via Oct. 15, Tiny Desk is celebrating Latinx Heritage Month with an El Tiny takeover, that includes Jessie Reyez, Susana Baca and extra musicians from all corners of Latinidad.

Tokischa got here to NPR with a set of preparations which, a dialog after the efficiency, she referred to as “just a little extra Tiny,” transforming her dembow tracks in a melange of different Caribbean and Latin American genres. True to her id as an artist whose efficiency is aimed squarely at disarming respectability politics, she would not sanitize the originals. As a substitute, her efficiency subverts expectations by foregrounding her celebration of feminine sexual autonomy, queerness and want in opposition to a backdrop of standard folks genres. The juxtaposition succeeds uncannily, the form of inventive power that lands on the ears of individuals in energy like a risk.

The dembow avant-gardist has incensed conservative pundits within the Dominican Republic and overseas. Her unfiltered expression has sparked ethical panic and, elsewhere, drawn justifiable criticism. She opens with “Perra” — a collaboration she initially recorded with J Balvin and the video for which was criticized for racist imagery in opposition to Black girls and was ultimately deleted from YouTube. It is a stunning alternative for an opener, much more in order a demure bossa nova. Tokischa lilts the music’s refrain and playfully factors to the viewers.

Her distinctive voice and stream pair deftly with the switch-ups throughout Caribbean genres, from a bachata model of “Hola” to reggae on “Somos Iguales” and a mambo “Delincuente,” the latter full with a call-and-response that options an NPR viewers for the primary time in all probability ever responding “bellaca” (“attractive”).

“ESTILAZO” is totally reworked, the crisp home authentic slowed to a languid son backed by a tumbao piano riff within the neighborhood of “Chan Chan.” The lyrics — amongst them “Lesbianismo entre mujeres, larga vida gay,” (“Lesbianism between girls, lengthy gay life”) and “Música con letras sucias, una suciedad divina” (“Music with soiled lyrics, a divine filthiness”) — construct like a manifesto, recasting what oppressors have deemed perverse as divine as a substitute.

Every music is a shock, and most of all of the nearer, “Kilos De Amor,” a presently unreleased corrido. The style experiments aren’t simply an El Tiny detour, however a signifier of an artist who each deeply is aware of the place she comes from and who is not afraid to see how far she will go.


  • “Perra”
  • “Hola”
  • “Somos Iguales”
  • “Delincuente”
  • “Kilos De Amor”


  • Tokischa: vocals
  • Abdiel Serrano: guitar 
  • Galdy Santiago: percussion
  • Jesús Laboy: percussion
  • Orlando Brinn: keyboard
  • José Lopez: bass 


  • Producers: Anamaria Sayre, Felix Contreras
  • Audio Engineer: Josh Rogosin
  • Director/Editor: Maia Stern
  • Inventive Director: Bob Boilen
  • Collection Producer: Bobby Carter
  • Videographers: Maia Stern, Joshua Bryant, Michael Zamora, Alanté Serene
  • Audio Assistant: Neil Tevault
  • Manufacturing Assistant: Jill Britton
  • Tiny Desk Group: Suraya Mohamed, Kara Body, Marissa Lorusso, Hazel Cills, Ashley Pointer, Fi O’Reilly
  • VP, Visuals and Music: Keith Jenkins
  • Senior VP, Programming: Anya Grundmann

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